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Anti-Corruption Commission Seizes Electronic Evidence in Customs Bribery Probe, Faces Defamation and Ethics Complaints from Witness

by Pevita Pearce July 30, 2025

written by Pevita Pearce

The Corruption Eradication Commission (KPK) has revealed the seizure of crucial electronic evidence from Faizal Assegaf, the President Director of PT Sinkos Multimedia Mandiri, which is believed to be directly linked to an ongoing corruption investigation within the Directorate General of Customs and Excise. This development has ignited a legal and ethical dispute, as Assegaf has subsequently filed reports against KPK spokesperson Budi Prasetyo for alleged defamation and ethical violations.

The seized items, detailed by the KPK, include an Apple Mac computer complete with its Magic Keyboard and Magic Mouse, a Lumix S5IIX mirrorless camera with spare batteries, a monitor, and a Boss WL-30XLR Wireless System microphone. These devices, high-end electronic equipment often used for communication, data storage, and media production, are now in the custody of KPK investigators, undergoing forensic analysis to uncover any connections to the alleged illicit activities within the customs apparatus. Budi Prasetyo, speaking from the KPK headquarters in Jakarta on Wednesday evening, April 15, 2026, confirmed the nature of the seized items, stating, "The items confiscated by investigators are electronic goods such as monitors, cameras, and several other electronic devices." He further clarified that the total monetary value of these seized items had not yet been assessed by the investigative team. "No, we have not received that information yet," Budi stated when asked about the estimated value of the evidence.

Escalating Legal Battle: Defamation and Ethics Complaints

The seizure and the subsequent public statement by Budi Prasetyo have triggered a swift and assertive response from Faizal Assegaf, who has initiated counter-legal actions. Assegaf filed a report against Budi Prasetyo with the Polda Metro Jaya, accusing the KPK spokesperson of defamation. The report is officially registered under the number: LP/B/2592/IV/2026/SPKT/POLDA METRO JAYA. Concurrently, on the same day, Assegaf escalated his complaints by reporting Budi Prasetyo to the KPK Supervisory Board (Dewas KPK) for alleged breaches of the anti-graft body’s code of ethics. These actions underscore the increasingly contentious nature of high-profile corruption investigations in Indonesia, where individuals implicated, even as witnesses, are utilizing legal avenues to challenge the actions and statements of anti-corruption officials.

The basis for Assegaf’s complaints appears to stem from the public disclosure of his identity and the specifics of the seized electronic items by the KPK spokesperson, which Assegaf may perceive as prejudicial to his reputation or an overreach of the KPK’s public communication policy. Defamation laws in Indonesia, particularly Article 310 of the Criminal Code (KUHP), criminalize statements that attack a person’s honor or good name. While public officials often have a higher threshold for proving defamation, such reports can lead to lengthy legal processes and divert resources. The complaint to Dewas KPK, an independent body established to oversee the ethical conduct of KPK personnel, suggests a challenge to the procedural integrity and professional conduct of the spokesperson during the investigation.

The Underlying Corruption Scandal at Customs and Excise

Faizal Assegaf’s involvement in this investigation began when he was summoned as a witness on April 7, 2026, to provide testimony regarding the alleged corruption at the Directorate General of Customs and Excise. Alongside him, two Customs officials, Muhammad Mahzun and Rahmat, were also called in for questioning. Their testimonies are crucial for strengthening the case files against seven individuals who have already been named suspects in a complex web of alleged bribery related to goods importations and gratification.

The seven suspects, all of whom are currently detained at the KPK’s detention facility, represent a mix of high-ranking Customs officials and private sector individuals. They include:

Rizal: Former Director of Investigation & Enforcement at the Directorate General of Customs and Excise, serving from 2024 to January 2026. His position suggests potential involvement in overseeing or manipulating enforcement actions related to imports.
Sisprian Subiaksono: Head of the Sub-directorate of Intelligence for Enforcement and Investigation (Kasubdit Intel P2 DJBC). Individuals in this role are responsible for gathering intelligence on customs violations, making their alleged involvement particularly concerning for the integrity of enforcement.
Orlando: Head of the Intelligence Section at the Directorate General of Customs and Excise (Kasi Intel DJBC). Similar to Subiaksono, his position would grant him access to sensitive information and influence over investigative priorities.
Andri: Team Leader of Import Documentation at PT Blueray. His role would involve managing the paperwork for imports, a critical juncture where bribery can occur to facilitate illicit goods or reduce duties.
Budiman Bayu Prasojo: An employee of the Directorate General of Customs and Excise. His specific role is not detailed, but his inclusion indicates a broader network of complicity within the institution.
John Field: Owner of PT Blueray. As the principal of a company involved in imports, his alleged role would be central to initiating or facilitating the bribery schemes.
Dedy Kurniawan: Operational Manager of PT Blueray. Like Andri, his operational role would place him at the heart of the import process, where illicit transactions could be executed.

The KPK has indicated that for the suspects associated with PT Blueray (John Field, Andri, and Dedy Kurniawan), their case files have already been handed over to the Public Prosecutor (JPU), signaling that the investigation phase is nearing completion for these individuals and trials are expected to commence soon. This progression highlights the gravity of the allegations and the KPK’s commitment to bringing these cases to court.

Daftar Barbuk Kasus Bea Cukai yang Disita KPK dari Faizal Assegaf

Chronology of Events

April 7, 2026: Faizal Assegaf, President Director of PT Sinkos Multimedia Mandiri, along with Customs officials Muhammad Mahzun and Rahmat, are summoned by the KPK to provide testimony as witnesses in the ongoing corruption investigation at the Directorate General of Customs and Excise.
April 15, 2026 (Wednesday evening): KPK spokesperson Budi Prasetyo publicly confirms the seizure of electronic evidence from Faizal Assegaf, linking it to the Customs corruption case. The seized items include an Apple Mac computer, a Lumix S5IIX camera, a monitor, and a Boss wireless microphone system.
Post-April 15, 2026: Faizal Assegaf files a formal report against Budi Prasetyo with the Polda Metro Jaya, alleging defamation. The report is registered under LP/B/2592/IV/2026/SPKT/POLDA METRO JAYA.
Same Day as Polda Report: Faizal Assegaf also reports Budi Prasetyo to the KPK Supervisory Board (Dewas KPK) for alleged violations of the KPK’s code of ethics, likely related to the public disclosure of information regarding the seizure.
Ongoing: The seven primary suspects in the Customs corruption case remain in detention at the KPK Rutan. The case files for suspects linked to PT Blueray have been transferred to the Public Prosecutor, indicating impending trials.

Broader Context: Corruption in Customs and Anti-Graft Efforts

Corruption within customs agencies is a perennial challenge globally, and Indonesia is no exception. The Directorate General of Customs and Excise, responsible for collecting import duties, controlling goods movement, and combating smuggling, operates at a critical nexus of trade and national revenue. Its functions inherently involve high-value transactions, complex regulations, and discretionary powers, making it susceptible to bribery, illicit facilitation, and various forms of malfeasance. Such corruption can severely undermine state revenue, distort fair trade practices, and facilitate the entry of illegal or harmful goods.

The KPK’s sustained focus on customs corruption reflects a broader national commitment to enhancing transparency and accountability in public service. Over the years, the KPK has handled numerous high-profile cases involving customs officials, ranging from individual officers to high-ranking directorate members, underscoring the systemic nature of the problem. These investigations often involve intricate networks connecting public officials with private sector entities seeking to exploit loopholes or bypass regulations for financial gain.

The establishment of the KPK Supervisory Board (Dewas KPK) in 2019 was intended to strengthen internal oversight and ensure the ethical conduct of KPK personnel, providing an avenue for citizens and officials alike to report alleged ethical breaches. While Dewas aims to maintain the integrity of the anti-corruption body, its existence also introduces a new layer of scrutiny that can sometimes be leveraged by individuals under investigation to challenge the process.

Implications and Future Outlook

The current developments present several key implications. For the KPK, the dual reports from Faizal Assegaf pose a challenge on multiple fronts. The defamation report to the police requires the agency to defend its spokesperson’s actions in a separate legal forum, potentially diverting resources and attention from the core corruption investigation. Simultaneously, the ethics complaint to Dewas KPK demands an internal review of the spokesperson’s conduct, which, if found to be in violation, could impact the agency’s public image and the morale of its officers. The KPK must navigate these challenges while steadfastly pursuing its anti-corruption mandate, demonstrating adherence to both legal procedures and ethical standards.

For Faizal Assegaf, the decision to file these reports signifies a determined legal defense strategy. By challenging the KPK’s actions and statements, he aims to assert his rights, potentially question the legitimacy of the evidence collection, and perhaps cast doubt on the overall investigative process. His actions highlight the right of individuals to seek legal recourse against perceived injustices, even when facing powerful state institutions. The outcome of these complaints will be closely watched, as they could set precedents for how KPK spokespersons communicate about ongoing investigations and how individuals under scrutiny interact with the anti-graft body.

More broadly, this case underscores the persistent and complex struggle against corruption in Indonesia. It demonstrates the critical role of electronic evidence in modern investigations, the interconnectedness of public and private sector corruption, and the increasing sophistication of legal challenges faced by anti-corruption agencies. The ultimate resolution of both the bribery and gratification case within the Directorate General of Customs and Excise and the subsequent complaints against the KPK spokesperson will be vital for reinforcing public trust in legal institutions and the nation’s commitment to good governance. The legal proceedings are expected to be lengthy and intricate, unfolding in the public eye as Indonesia continues its long-term battle against corruption.

July 30, 2025 0 comment

Entertainment and Celebrity

Momo Ex Geisha Undergoes Advanced Anti Aging Treatments in South Korea to Address Skin Concerns and Maintain Youthful Appearance

by Layla Zulfa July 18, 2025

written by Layla Zulfa

Narova Morina Sinaga, the prominent Indonesian vocalist widely recognized by her stage name Momo, recently embarked on a high-profile journey to South Korea to seek specialized dermatological care and anti-aging treatments. Known primarily for her tenure as the lead singer of the pop-rock band Geisha, the mother of two has transitioned into a lifestyle that frequently intersects with the global luxury beauty industry. Her recent visit to a premier aesthetic clinic in Seoul highlights a growing trend among Indonesian public figures who utilize South Korea’s world-renowned medical tourism infrastructure to maintain their physical appearance against the natural progression of aging. Through a series of documented updates shared with her millions of social media followers, Momo provided a rare, transparent look into the rigorous processes involved in high-end cosmetic maintenance, ranging from initial consultations to the post-procedural recovery phase.

The Evolution of Celebrity Beauty Standards and Medical Tourism

The decision by Momo to seek treatment in South Korea is reflective of a broader shift in the global aesthetic landscape. South Korea has firmly established itself as the "plastic surgery capital of the world," boasting the highest rate of cosmetic procedures per capita globally. For celebrities like Momo, the appeal lies not only in the advanced technology available but also in the specific "K-Beauty" aesthetic, which prioritizes a youthful, luminous, and natural-looking complexion. This "glass skin" phenomenon has become a gold standard in the entertainment industry, prompting many Southeast Asian celebrities to bypass local options in favor of the specialized techniques developed by South Korean dermatologists.

Kulit Kendur-Keriput, 7 Momen Momo eks Geisha Perawatan Anti Aging di Korea Selatan

According to data from the Korea Health Industry Development Institute (KHIDI), the number of international patients visiting South Korea for plastic surgery and dermatological procedures has seen a steady recovery following the global pandemic. Indonesia remains a significant market for this sector, as the rising middle and upper classes increasingly view aesthetic procedures as an investment in personal branding. For a public figure like Momo, whose image is central to her career and public persona, the move to seek the highest caliber of care is a calculated decision to ensure longevity in an industry that remains heavily focused on visual presentation.

Chronology of the Treatment: From Diagnosis to Intervention

Momo’s journey began with a clear identification of personal aesthetic concerns. Despite maintaining a rigorous personal care routine, the singer noted that the natural aging process, compounded by the stresses of motherhood and a career in the spotlight, had begun to manifest in the form of fine lines and a loss of skin elasticity. In her digital documentation, she expressed a feeling that her skin had begun to "sag" and that "fine wrinkles" were becoming more prominent, particularly in the mid-face and periorbital regions. These are common concerns for individuals in their mid-to-late 30s, as collagen production naturally declines, leading to a loss of structural integrity in the dermal layers.

Upon her arrival at the clinic in Seoul, Momo was accorded VIP status, a common practice for high-profile international clients which often includes private waiting areas, dedicated translators, and direct access to head physicians. The process began with an exhaustive skin analysis. Modern South Korean clinics typically utilize 3D facial imaging technology to map out wrinkles, UV damage, and pore distribution, allowing doctors to create a bespoke treatment plan that addresses the specific biological needs of the patient rather than applying a one-size-fits-all solution.

The attending physician’s diagnosis led to a multi-modal treatment strategy. The primary intervention involved stem cell injections, a cutting-edge procedure in regenerative medicine. Unlike traditional fillers which provide immediate but temporary volume, stem cell therapy aims to stimulate the body’s own repair mechanisms. By introducing concentrated growth factors and mesenchymal cells into the skin, the treatment encourages the synthesis of new collagen and elastin fibers, potentially offering more sustainable and natural-looking results over time.

Technical Analysis of the Procedures: Stem Cells and Glass Skin

The procedures Momo underwent represent the pinnacle of current aesthetic dermatology. The "Stem Cell Treatment" she received is often categorized under regenerative aesthetics. In this context, stem cells are used to rejuvenate the skin’s microenvironment. These cells secrete exosomes and cytokines that signal surrounding cells to repair damage caused by aging and environmental factors. This treatment is particularly effective for the "sagging" skin Momo identified, as it works to thicken the dermis and improve overall skin tension.

In addition to the regenerative injections, Momo received a "Glass Skin" treatment. While "glass skin" is often used as a marketing term for skincare products, in a clinical setting, it usually refers to a combination of micro-needling, hyaluronic acid injections (often called "skin boosters"), and occasionally low-dose botulinum toxin applied superficially to the skin rather than the muscle. This combination minimizes pore size, smooths out fine textures, and provides an intense boost of hydration, resulting in the reflective, translucent quality of the skin that is highly coveted in East Asian beauty circles.

To manage the discomfort associated with these deep-tissue interventions, Momo underwent the procedures under sedation or deep anesthesia. This is a standard practice in high-end Korean clinics for comprehensive "all-in-one" sessions, allowing the medical team to perform multiple invasive procedures simultaneously while ensuring the patient remains comfortable. Momo noted that she "slept through" the duration of the treatment, waking up only after the interventions were completed.

Post-Procedural Recovery and the "One-Month" Horizon

One of the most critical aspects of Momo’s transparency was her willingness to show the immediate aftermath of the procedures. Shortly after the treatment, her face exhibited significant swelling and redness, a condition known medically as edema. This is an expected inflammatory response to the multiple injections and the physical manipulation of the skin tissue. In the world of celebrity social media, where filters often hide the "ugly" side of beauty, Momo’s decision to share her swollen appearance provides an important reality check for consumers regarding the "downtime" required for such intensive treatments.

The clinic’s medical team advised Momo that the definitive results of the stem cell and glass-skin treatments would not be visible immediately. Regenerative treatments require a biological "lag time" as the body takes weeks to produce new collagen and for the inflammation to fully subside. The "one-month" mark mentioned by Momo is the standard timeframe in which the initial tightening and brightening effects begin to manifest, with peak results often appearing three to six months post-procedure as the cellular regeneration reaches its zenith.

Broader Implications for the Indonesian Entertainment Industry

Momo’s public journey to South Korea reflects a growing normalization of cosmetic procedures within the Indonesian entertainment industry. For decades, many celebrities chose to keep their aesthetic "work" private, fearing a backlash from a public that often equated beauty with "naturalness." However, the current generation of influencers and artists is moving toward a model of radical transparency. By sharing the process, Momo effectively demystifies the procedures, shifting the narrative from "secretive vanity" to "proactive self-care and maintenance."

This transparency also has economic implications. As celebrities document their experiences, they often act as unofficial ambassadors for specific clinics or the broader concept of medical tourism. This can lead to an increase in Indonesian citizens seeking similar treatments abroad, contributing to a global market that is expected to reach billions of dollars in the coming decade. However, analysts also point out the importance of "informed consent" and the need for patients to understand the risks involved, including the potential for complications or results that do not meet expectations.

Socio-Cultural Analysis: Aging in the Public Eye

The pressure on female celebrities to maintain a youthful appearance is a well-documented phenomenon. For Momo, who has been in the public eye since her early 20s, the transition into her 30s brings a different set of expectations. The "anti-aging" industry thrives on the societal fear of aging, yet for individuals in Momo’s position, it is often viewed as a professional necessity. Maintaining a "camera-ready" face is part of the job description in an era dominated by high-definition video and unforgiving social media scrutiny.

Furthermore, Momo’s status as a "VIP" patient highlights the intersection of wealth and beauty. The treatments she received—stem cell therapy and advanced skin boosters—are prohibitively expensive for the average consumer, reinforcing beauty as a status symbol. Her journey is not just about skin; it is about the access to global technology that allows the affluent to "pause" or "reverse" the visible signs of time.

Conclusion and Future Outlook

As Momo awaits the final results of her South Korean treatments, her story remains a focal point for fans and beauty enthusiasts alike. The "one-month" follow-up will likely be as highly anticipated as the initial announcement, serving as a case study for the efficacy of South Korean regenerative aesthetics. Regardless of the visual outcome, the event underscores the sophisticated nature of modern celebrity maintenance and the role of South Korea as the primary destination for those seeking the cutting edge of cosmetic science.

In the broader context of the Indonesian music and entertainment scene, Momo’s openness may encourage more artists to discuss their own experiences with aging and aesthetic medicine. As the lines between healthcare, technology, and beauty continue to blur, the journey of Narova Morina Sinaga stands as a testament to the lengths individuals will go to preserve their image in a world that remains deeply invested in the aesthetics of youth. The evolution of her appearance will continue to be monitored by a public that is increasingly literate in the nuances of dermatological procedures, marking a new chapter in the relationship between Indonesian stars and the global beauty industry.

July 18, 2025 0 comment